Researcher Portfolio

 
   

David, Pierre

Plasma Edge and Wall (E2M), Max Planck Institute for Plasma Physics, Max Planck Society, Tokamak Scenario Development (E1), Max Planck Institute for Plasma Physics, Max Planck Society  

 

Researcher Profile

 
Position: Plasma Edge and Wall (E2M), Max Planck Institute for Plasma Physics, Max Planck Society
Position: Tokamak Scenario Development (E1), Max Planck Institute for Plasma Physics, Max Planck Society
Researcher ID: https://pure.mpg.de/cone/persons/resource/persons217386

External references

 

Publications

 
 
 : Czepiel, A., Fink, L., Seibert, C., Scharinger, M., & Kotz, S. A. (2023). Aesthetic and physiological effects of naturalistic multimodal music listening. Cognition, 239: 105537. doi:10.1016/j.cognition.2023.105537. [PubMan] : Mencke, I., Seibert, C., Brattico, E., & Wald-Fuhrmann, M. (2022). Comparing the aesthetic experience of classic–romantic and contemporary classical music: An interview study (Online First). Psychology of Music. doi:10.1177/03057356221091312. [PubMan] : Seibert, C., Toelle, J., & Wald-Fuhrmann, M. (2020). The classical concert as an object of empirical aesthetics. In M. Tröndle (Ed.), Classical concert studies: A companion to contemporary research and performance (pp. 351-360). London: Routledge. [PubMan] : Seibert, C., Greb, F., & Tschacher, W. (2019). Nonverbale Synchronie und Musik-Erleben im klassischen Konzert. Jahrbuch Musikpsychologie. Musikpsychologie – Musik und Bewegung, 28: e18, pp. 53-85. doi:10.5964/jbdgm.2018v28.18. [PubMan] : Seibert, C. (2019). Situated approaches to musical experience. In D. Clarke, E. F. Clarke, & R. Herbert (Eds.), Music and Consciousness 2: Worlds, practices, modalities (pp. 11-33). Oxford: Oxford University Press. [PubMan] : Seibert, C. (2018). Autonomie und Relationalität. In N. Urbanek, & M. Wald-Fuhrmann (Eds.), Von der Autonomie des Klangs zur Heteronomie der Musik: Musikwissenschaftliche Antworten auf Musikphilosophie (pp. 103-123). Stuttgart: J.B. Metzler. [PubMan] : Wald-Fuhrmann, M., Toelle, J., & Seibert, C. (2018). Live und interaktiv: Ästhetisches Erleben im Konzert als Gegenstand empirischer Forschung. In M. Tröndle (Ed.), Das Konzert II: Beiträge zum Forschungsfeld der Concert Studies (pp. 425-447). Bielefeld: Transcript. [PubMan] : Seibert, C. (2016). Musik und Affektivität: Systemtheoretische Perspektiven für eine transdisziplinäre Musikforschung. Weilerswist: Velbrück Wissenschaft. [PubMan] : Lindau, A., Seibert, C., Greb, F., & Wald-Fuhrmann, M. (2016). The ArtLab of the Max Plank Institute for Empirical Aesthetics: Technical conception and envisaged research questions. In M. Vorländer, & J. Fels (Eds.), Fortschritte der Akustik: Tagungsband der 42. Jahrestagung für Akustik DAGA. [PubMan] : Wald-Fuhrmann, M., Seibert, C., Fischinger, T., Greb, F., Wiesecke, J., & Lange, E. B. (2014). „Touch when you’re singing“?: On the possible effects of body contact in ensemble singing. In A. Kozbelt (Ed.), Proceedings of the Twenty-third Biennial Congress of the International Association of Empirical Aesthetics (pp. 408-414). [PubMan] : Seibert, C., & Troge, T. A. (2013). Affective Structural Coupling and Situated Affectivity in Complex Musical Emotions. In G. Luck, & O. Brabant (Eds.), 3rd International Conference on Music & Emotion: Jyväskylä, June 11-15, 2013, programme, abstracts, proceedings (pp. 85). [PubMan] : Seibert, C., & Troge, T. A. (2010). Music as space of possibility. In S. M. Demorest, S. J. Morisson, & P. S. Campbell (Eds.), Proceedings of the 11th International Conference on Music Perception and Cognition (pp. 720-725). [PubMan]