Researcher Portfolio
Affeldt, Christoph
Laser Interferometry & Gravitational Wave Astronomy, AEI-Hannover, MPI for Gravitational Physics, Max Planck Society
Researcher Profile
Position: Laser Interferometry & Gravitational Wave Astronomy, AEI-Hannover, MPI for Gravitational Physics, Max Planck Society
Researcher ID: https://pure.mpg.de/cone/persons/resource/persons40422
External references
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Publications
: Czepiel, A., Fink, L., Seibert, C., Scharinger, M., & Kotz, S. A. (2023). Aesthetic and physiological effects of naturalistic multimodal music listening. Cognition, 239: 105537. doi:10.1016/j.cognition.2023.105537. [PubMan] : Mencke, I., Seibert, C., Brattico, E., & Wald-Fuhrmann, M. (2022). Comparing the aesthetic experience of classic–romantic and contemporary classical music: An interview study (Online First). Psychology of Music. doi:10.1177/03057356221091312. [PubMan] : Seibert, C., Toelle, J., & Wald-Fuhrmann, M. (2020). The classical concert as an object of empirical aesthetics. In M. Tröndle (Ed. ), Classical concert studies: A companion to contemporary research and performance (pp. 351-360). London: Routledge. [PubMan] : Seibert, C., Greb, F., & Tschacher, W. (2019). Nonverbale Synchronie und Musik-Erleben im klassischen Konzert. Jahrbuch Musikpsychologie. Musikpsychologie – Musik und Bewegung, 28: e18, pp. 53-85. doi:10.5964/jbdgm.2018v28.18. [PubMan] : Seibert, C. (2019). Situated approaches to musical experience. In D. Clarke, E. F. Clarke, & R. Herbert (Eds. ), Music and Consciousness 2: Worlds, practices, modalities (pp. 11-33). Oxford: Oxford University Press. [PubMan] : Seibert, C. (2018). Autonomie und Relationalität. In N. Urbanek, & M. Wald-Fuhrmann (Eds. ), Von der Autonomie des Klangs zur Heteronomie der Musik: Musikwissenschaftliche Antworten auf Musikphilosophie (pp. 103-123). Stuttgart: J.B. Metzler. [PubMan] : Wald-Fuhrmann, M., Toelle, J., & Seibert, C. (2018). Live und interaktiv: Ästhetisches Erleben im Konzert als Gegenstand empirischer Forschung. In M. Tröndle (Ed. ), Das Konzert II: Beiträge zum Forschungsfeld der Concert Studies (pp. 425-447). Bielefeld: Transcript. [PubMan] : Seibert, C. (2016). Musik und Affektivität: Systemtheoretische Perspektiven für eine transdisziplinäre Musikforschung. Weilerswist: Velbrück Wissenschaft. [PubMan] : Lindau, A., Seibert, C., Greb, F., & Wald-Fuhrmann, M. (2016). The ArtLab of the Max Plank Institute for Empirical Aesthetics: Technical conception and envisaged research questions. In M. Vorländer, & J. Fels (Eds. ), Fortschritte der Akustik: Tagungsband der 42. Jahrestagung für Akustik DAGA. [PubMan] : Wald-Fuhrmann, M., Seibert, C., Fischinger, T., Greb, F., Wiesecke, J., & Lange, E. B. (2014). „Touch when you’re singing“?: On the possible effects of body contact in ensemble singing. In A. Kozbelt (Ed. ), Proceedings of the Twenty-third Biennial Congress of the International Association of Empirical Aesthetics (pp. 408-414). [PubMan] : Seibert, C., & Troge, T. A. (2013). Affective Structural Coupling and Situated Affectivity in Complex Musical Emotions. In G. Luck, & O. Brabant (Eds. ), 3rd International Conference on Music & Emotion: Jyväskylä, June 11-15, 2013, programme, abstracts, proceedings (pp. 85). [PubMan] : Seibert, C., & Troge, T. A. (2010). Music as space of possibility. In S. M. Demorest, S. J. Morisson, & P. S. Campbell (Eds. ), Proceedings of the 11th International Conference on Music Perception and Cognition (pp. 720-725). [PubMan]