English
 
Help Privacy Policy Disclaimer
  Advanced SearchBrowse

Item

ITEM ACTIONSEXPORT
 
 
DownloadE-Mail
  Psychophysics for perception of (in)determinate art

Wallraven, C., Kaulard, K., Kürner, C., Pepperell, R., & Bülthoff, H. (2007). Psychophysics for perception of (in)determinate art. In C. Wallraven, & V. Sundstedt (Eds.), 4th Symposium on Applied Perception in Graphics and Visualization (APGV 2007) (pp. 115-122). New York, NY, USA: ACM Press.

Item is

Files

show Files
hide Files
:
APGV-2007-Wallraven.pdf (Any fulltext), 8MB
Name:
APGV-2007-Wallraven.pdf
Description:
-
OA-Status:
Visibility:
Public
MIME-Type / Checksum:
application/pdf / [MD5]
Technical Metadata:
Copyright Date:
-
Copyright Info:
-
License:
-

Locators

show
hide
Description:
-
OA-Status:

Creators

show
hide
 Creators:
Wallraven, C1, 2, Author           
Kaulard, K1, 2, Author           
Kürner, C1, 2, Author           
Pepperell, R, Author
Bülthoff, HH1, 2, Author           
Affiliations:
1Department Human Perception, Cognition and Action, Max Planck Institute for Biological Cybernetics, Max Planck Society, ou_1497797              
2Max Planck Institute for Biological Cybernetics, Max Planck Society, Spemannstrasse 38, 72076 Tübingen, DE, ou_1497794              

Content

show
hide
Free keywords: -
 Abstract: The question of how humans perceive art and how the sensory percept is endowed with aesthetics by the human brain has continued to fascinate psychologists and artists alike. It seems, for example, rather easy for us to classify a work of art as either "abstract" or "representational". The artist Robert Pepperell recently has produced a series of paintings that seek to defy this classification: his goal was to convey "indeterminancy" in these paintings - scenes that at first glance look like they contain an object or belong to a certain genre but that upon closer examination escape a definite determination of their contents. Here, we report results from several psychophysical experiments using these artworks as stimuli, which seek to shed light on the perceptual processing of the degree of abstraction in images. More specifically, the task in these experiments was to categorize a briefly shown image as "abstract" or "representational". Stimuli included Pepperell‘s paintings each of which was paired with a similar representational work of art from several periods and several artistic genres. The results provide insights into the visual processes determining our perception of art and can also function as a "objective" validation for the intentions of the artist.

Details

show
hide
Language(s):
 Dates: 2007-07
 Publication Status: Issued
 Pages: -
 Publishing info: -
 Table of Contents: -
 Rev. Type: -
 Identifiers: DOI: 10.1145/1272582.1272605
BibTex Citekey: 4463
 Degree: -

Event

show
hide
Title: APGV '07: 4th Symposium on Applied Perception in Graphics and Visualization
Place of Event: Tübingen, Germany
Start-/End Date: 2007-07-25 - 2007-07-27

Legal Case

show

Project information

show

Source 1

show
hide
Title: 4th Symposium on Applied Perception in Graphics and Visualization (APGV 2007)
Source Genre: Proceedings
 Creator(s):
Wallraven, C1, Editor           
Sundstedt, V, Editor
Affiliations:
1 Department Human Perception, Cognition and Action, Max Planck Institute for Biological Cybernetics, Max Planck Society, ou_1497797            
Publ. Info: New York, NY, USA : ACM Press
Pages: - Volume / Issue: - Sequence Number: - Start / End Page: 115 - 122 Identifier: ISBN: 978-1-59593-670-7