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  Signal Processing Methods for Beat Tracking, Music Segmentation, and Audio Retrieval

Grosche, P. M. (2012). Signal Processing Methods for Beat Tracking, Music Segmentation, and Audio Retrieval. PhD Thesis, Universität des Saarlandes, Saarbrücken. doi:10.22028/D291-26471.

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OA-Status:
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http://scidok.sulb.uni-saarland.de/doku/lic_ohne_pod.php?la=de (Copyright transfer agreement)
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 Creators:
Grosche, Peter Matthias1, 2, Author           
Theobalt, Christian1, Advisor                 
Seidel, Hans-Peter1, Referee                 
Affiliations:
1Computer Graphics, MPI for Informatics, Max Planck Society, ou_40047              
2International Max Planck Research School, MPI for Informatics, Max Planck Society, Campus E1 4, 66123 Saarbrücken, DE, ou_1116551              

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 Abstract: The goal of music information retrieval (MIR) is to develop novel strategies
and techniques for organizing, exploring, accessing, and understanding music
data in an efficient manner.
The conversion of waveform-based audio data into semantically meaningful
feature representations by the use of digital signal processing techniques is
at the center of MIR and constitutes a difficult field of research because of
the complexity and diversity of music signals.
In this thesis, we introduce novel signal processing methods
that allow for extracting musically meaningful information from audio signals.
As main strategy, we exploit musical knowledge about the signals' properties to
derive feature representations that show a significant degree of robustness
against musical variations but still exhibit a high musical expressiveness. We
apply this general strategy to three different areas of MIR:
Firstly, we introduce novel techniques for extracting tempo and beat
information, where we particularly consider challenging music with changing
tempo and soft note onsets. Secondly, we present novel algorithms for the
automated segmentation and analysis of folk song field recordings, where one
has to cope with significant fluctuations in intonation and tempo as well as
recording artifacts. Thirdly, we explore a cross-version approach
to content-based music retrieval based on the query-by-example paradigm. In all
three areas, we focus on application scenarios where strong musical variations
make the extraction of musically meaningful information a challenging task.

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Language(s): eng - English
 Dates: 2012-11-092013-04-042012
 Publication Status: Issued
 Pages: -
 Publishing info: Saarbrücken : Universität des Saarlandes
 Table of Contents: -
 Rev. Type: -
 Identifiers: BibTex Citekey: Grosche2012
Other: Local-ID: 0C70626E41A89315C1257AE1004F5255-Grosche2012
URN: urn:nbn:de:bsz:291-scidok-50576
DOI: 10.22028/D291-26471
Other: hdl:20.500.11880/26527
 Degree: PhD

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