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  Exploring the musical taste of expert listeners: Musicology students reveal tendency toward omnivorous taste

Elvers, P., Omigie, D., Fuhrmann, W., & Fischinger, T. (2015). Exploring the musical taste of expert listeners: Musicology students reveal tendency toward omnivorous taste. Frontiers in Psychology, 6: 1252. doi:10.3389/fpsyg.2015.01252.

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Exploring the musical taste of expert listeners.pdf (Publisher version), 788KB
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Exploring the musical taste of expert listeners.pdf
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2015
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© 2015 Elvers, Omigie, Fuhrmann and Fischinger. This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) or licensor are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.

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 Creators:
Elvers, Paul1, Author                 
Omigie, Diana1, Author                 
Fuhrmann, W., Author
Fischinger, Timo1, Author           
Affiliations:
1Department of Music, Max Planck Institute for Empirical Aesthetics, Max Planck Society, ou_2421696              

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Free keywords: music, musical taste, musical preferences, expert listeners, personality, musical omnivorousness, familiarity, exposure
 Abstract: Musicology students are engaged with music on an academic level and usually have an extensive musical background. They have a considerable knowledge of music history and theory and listening to music may be regarded as one of their primary occupations. Taken together, these factors qualify them as >> expert listeners <<, who may be expected to exhibit a specific profile of musical taste: interest in a broad range of musical styles combined with a greater appreciation of >> sophisticated << styles. The current study examined the musical taste of musicology students as compared to a control student group. Participants (n = 1003) completed an online survey regarding the frequency with which they listened to 22 musical styles. A factor analysis revealed six underlying dimensions of musical taste. A hierarchical cluster analysis then grouped all participants, regardless of their status, according to their similarity on these dimensions. The employed exploratory approach was expected to reveal potential differences between musicology students and controls. A three-cluster solution was obtained. Comparisons of the clusters in terms of musical taste revealed differences in the listening frequency and variety of appreciated music styles: the first cluster (51% musicology students/27% controls) showed the greatest musical engagement across all dimensions although with a tendency toward >> sophisticated << musical styles. The second cluster (36% musicology students/46% controls) exhibited an interest in >> conventional << music, while the third cluster (13% musicology students/27% controls) showed a strong liking of rock music. The results provide some support for the notion of specific tendencies in the musical taste of musicology students and the contribution of familiarity and knowledge toward musical omnivorousness. Further differences between the clusters in terms of social, personality, and sociodemographic factors are discussed.

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Language(s): eng - English
 Dates: 2015-05-312015-08-052015-08-20
 Publication Status: Published online
 Pages: -
 Publishing info: -
 Table of Contents: -
 Rev. Type: Peer
 Identifiers: Other: WOS:000360020000001
DOI: 10.3389/fpsyg.2015.01252
 Degree: -

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Title: Frontiers in Psychology
  Alternative Title : Front. Psychol.
Source Genre: Journal
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Publ. Info: Lausanne : Frontiers Research Foundation
Pages: - Volume / Issue: 6 Sequence Number: 1252 Start / End Page: - Identifier: ISSN: 1664-1078