Le temps retrouvé : Claude Monets 'Getreideschober' zwischen 'impression' und 
Nachträglichkeit

Wittmann, Barbara

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Le temps retrouvé : Claude Monets 'Getreideschober' zwischen 'impression' und Nachträglichkeit

Wittmann, B. (2004). Le temps retrouvé: Claude Monets 'Getreideschober' zwischen 'impression' und Nachträglichkeit. In K. Gludovatz, & M. Peschken (Eds.), Momente im Prozess: Zeitlichkeit künstlerischer Produktion (pp. 211-226). Berlin: Reimer.

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Item Permalink: https://hdl.handle.net/11858/00-001M-0000-002A-9430-C Version Permalink: https://hdl.handle.net/11858/00-001M-0000-002A-DC7A-0

Genre: Book Chapter

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Creators:
Wittmann, Barbara¹, Author

Affiliations:
1Department Experimental Systems and Spaces of Knowledge, Max Planck Institute for the History of Science, Max Planck Society, ou_2266698

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Language(s): deu - German

Dates: Date issued: 2004

Publication Status: Issued

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Identifiers: eSciDoc: alt_escidoc:49290

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Title: Momente im Prozess : Zeitlichkeit künstlerischer Produktion

Source Genre: Book

Creator(s):
Gludovatz, Karin, Editor
Peschken, Martin, Editor

Affiliations:
-

Publ. Info: Berlin : Reimer

Pages: - Volume / Issue: - Sequence Number: - Start / End Page: 211 - 226 Identifier: -