日本語
 
Help Privacy Policy ポリシー/免責事項
  詳細検索ブラウズ

アイテム詳細

登録内容を編集ファイル形式で保存
 
 
ダウンロード電子メール
 前へ次へ 
  Lay listeners can evaluate the pitch accuracy of operatic voices

Larrouy-Maestri, P., Morsomme, D., Magis, D., & Poeppel, D. (2017). Lay listeners can evaluate the pitch accuracy of operatic voices. Music Perception, 34(4), 489-495. doi:10.1525/mp.2017.34.4.489.

Item is

基本情報

表示: 非表示:
資料種別: 学術論文

ファイル

表示: ファイル

関連URL

表示:

作成者

表示:
非表示:
 作成者:
Larrouy-Maestri, Pauline1, 著者           
Morsomme, Dominique, 著者
Magis, David, 著者
Poeppel, David1, 2, 著者           
所属:
1Department of Neuroscience, Max Planck Institute for Empirical Aesthetics, Max Planck Society, ou_2421697              
2New York University, New York, US, ou_persistent22              

内容説明

表示:
非表示:
キーワード: music expertise, pitch accuracy, melodic perception, singing voice, opera
 要旨: Lay listeners are reliable judges when evaluating pitch accuracy of occasional singers, suggesting that enculturation and laypersons’ perceptual abilities are sufficient to judge “simple” music material adequately. However, the definition of pitch accuracy in operatic performances is much more complex than in melodies performed by occasional singers. Furthermore, because listening to operatic performances is not a common activity, laypersons‘ experience with this complicated acoustic signal is more limited. To address the question of music expertise in evaluating operatic singing voices, listeners without music training were compared with the music experts examined in a recent study (Larrouy-Maestri, Magis, & Morsomme, 2014a) and their ratings were modeled with regard to underlying acoustic variables of pitch accuracy. As expected, some participants lacked test-retest reliability in their judgments. However, listeners who used a consistent strategy relied on a definition of pitch accuracy that appears to overlap with the quantitative criteria used by music experts. Besides clarifying the role of music expertise in the evaluation of melodies, our findings show robust perceptual abilities in laypersons when listening to complex signals such as operatic performances.

資料詳細

表示:
非表示:
言語: eng - English
 日付: 2015-11-242016-10-172017-03-132017
 出版の状態: 出版
 ページ: -
 出版情報: -
 目次: -
 査読: -
 識別子(DOI, ISBNなど): DOI: 10.1525/mp.2017.34.4.489
 学位: -

関連イベント

表示:

訴訟

表示:

Project information

表示:

出版物 1

表示:
非表示:
出版物名: Music Perception
種別: 学術雑誌
 著者・編者:
所属:
出版社, 出版地: Berkeley, CA : University of California Press
ページ: - 巻号: 34 (4) 通巻号: - 開始・終了ページ: 489 - 495 識別子(ISBN, ISSN, DOIなど): ISSN: 0730-7829
CoNE: https://pure.mpg.de/cone/journals/resource/954925533029