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  Speakers’ gestures predict the meaning and perception of iconicity in signs

Ortega, G., Schiefner, A., & Ozyurek, A. (in press). Speakers’ gestures predict the meaning and perception of iconicity in signs. In Proceedings of the 39th Annual Conference of the Cognitive Science Society (CogSci 2017).

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Ortega_Schiefner_Ozyurek_2017.pdf (Postprint), 347KB
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Ortega, Gerardo1, 2, Autor           
Schiefner, Annika1, Autor
Ozyurek, Asli1, 3, Autor           
Affiliations:
1Center for Language Studies, External Organization, ou_55238              
2Other Research, MPI for Psycholinguistics, Max Planck Society, Nijmegen, NL, ou_55217              
3Research Associates, MPI for Psycholinguistics, Max Planck Society, ou_2344700              

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 Zusammenfassung: Sign languages stand out in that there is high prevalence of conventionalised linguistic forms that map directly to their referent (i.e., iconic). Hearing adults show low performance when asked to guess the meaning of iconic signs suggesting that their iconic features are largely inaccessible to them. However, it has not been investigated whether speakers’ gestures, which also share the property of iconicity, may assist non-signers in guessing the meaning of signs. Results from a pantomime generation task (Study 1) show that speakers’ gestures exhibit a high degree of systematicity, and share different degrees of form overlap with signs (full, partial, and no overlap). Study 2 shows that signs with full and partial overlap are more accurately guessed and are assigned higher iconicity ratings than signs with no overlap. Deaf and hearing adults converge in their iconic depictions for some concepts due to the shared conceptual knowledge and manual-visual modality.

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Sprache(n): eng - English
 Datum: 2017
 Publikationsstatus: Angenommen
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Titel: the 39th Annual Conference of the Cognitive Science Society (CogSci 2017)
Veranstaltungsort: London, UK
Start-/Enddatum: 2017-07-26 - 2017-07-29

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Titel: Proceedings of the 39th Annual Conference of the Cognitive Science Society (CogSci 2017)
Genre der Quelle: Konferenzband
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