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  Authors’ Response: Negative emotions in art reception: Refining theoretical assumptions and adding variables to the Distancing-Embracing model

Menninghaus, W., Wagner, V., Hanich, J., Wassiliwizky, E., Jacobsen, T., & Koelsch, S. (2017). Authors’ Response: Negative emotions in art reception: Refining theoretical assumptions and adding variables to the Distancing-Embracing model. Behavioral and Brain Sciences, 40: e380, pp. 44-63. doi:10.1017/S0140525X17001947.

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 Creators:
Menninghaus, Winfried1, Author           
Wagner, Valentin1, Author           
Hanich, Julian, Author
Wassiliwizky, Eugen1, Author           
Jacobsen, Thomas, Author
Koelsch, Stefan, Author
Affiliations:
1Department of Language and Literature, Max Planck Institute for Empirical Aesthetics, Max Planck Society, ou_2421695              

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Free keywords: aesthetic enjoyment aesthetic virtues art schema genre effects interplays of positive and negative emotions meaning making mixed emotions
 Abstract: Abstract: While covering all commentaries, our response
specifically focuses on the following issues: How can the
hypothesis of emotional distancing (qua art framing) be
compatible with stipulating high levels of felt negative emotions
in art reception? Which concept of altogether pleasurable mixed
emotions does our model involve? Can mechanisms of
predictive coding, social sharing, and immersion enhance the
power of our model?

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Language(s): eng - English
 Dates: 2017-11-29
 Publication Status: Published online
 Pages: -
 Publishing info: -
 Table of Contents: -
 Rev. Type: -
 Identifiers: DOI: 10.1017/S0140525X17001947
ISSN: 0140-525X
 Degree: -

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Title: Behavioral and Brain Sciences
Source Genre: Journal
 Creator(s):
Affiliations:
Publ. Info: -
Pages: - Volume / Issue: 40 Sequence Number: e380 Start / End Page: 44 - 63 Identifier: -