非表示:
キーワード:
aesthetic enjoyment
aesthetic virtues
art schema
genre effects
interplays of positive and negative emotions
meaning making
mixed emotions
要旨:
Abstract: While covering all commentaries, our response
specifically focuses on the following issues: How can the
hypothesis of emotional distancing (qua art framing) be
compatible with stipulating high levels of felt negative emotions
in art reception? Which concept of altogether pleasurable mixed
emotions does our model involve? Can mechanisms of
predictive coding, social sharing, and immersion enhance the
power of our model?
