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Digital humanities, Computational analysis, media, lyrics, cover art, methodology, qualitative analysis
Abstract:
Abstract This chapter explores metal albums as media, and their relationship to medieval media, as well as secondary media as a resource for reception studies. Examination of metal music as media reveals broader trends in modern media representations of the medieval in respect to race, gender, and cultural identity. Albums are composite object, using different media and secondary media products. The methodology used to approach these media and which elements of an album are examined in combination have a significant effect on the results. This chapter brings together three authors to discuss and compare methodologies and make the case for a combination of contextual analogue and quantitative digital approaches.
