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  Cross-cultural work in music cognition: Challenges, insights, and recommendations

Jacoby, N., Margulis, E. H., Clayton, M., Hannon, E., Honing, H., Iversen, J., et al. (2020). Cross-cultural work in music cognition: Challenges, insights, and recommendations. Music Perception, 37(3), 185-195. doi:10.1525/mp.2020.37.3.185.

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Jacoby_etal_20202_cross cultural work in music cognition.pdf (Verlagsversion), 152KB
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 Urheber:
Jacoby, Nori1, Autor
Margulis, Elizabeth Hellmuth2, Autor
Clayton, Martin3, Autor
Hannon, Erin4, Autor
Honing, Henkjan5, Autor
Iversen, John6, Autor
Klein, Tobias Robert7, Autor
Mehr, Samuel A.8, Autor
Pearson, Lara9, Autor
Peretz, Isabelle10, Autor
Perlman, Marc11, Autor
Polak, Rainer9, Autor
Ravignani, Andrea12, 13, Autor           
Savage, Patrick E.14, Autor
Steingo, Gavin2, Autor
Stevens, Catherine J.15, Autor
Trainor, Laurel16, Autor
Trehub, Sandra17, Autor
Veal, Michael18, Autor
Wald-Fuhrmann, Melanie9, Autor
Affiliations:
1Research Group Computational Auditory Perception, Max Planck Institute for Empirical Aesthetics, Max Planck Society, ou_3024247              
2Princeton University, ou_persistent22              
3Durham University, Durham, United Kingdom, ou_persistent22              
4University of Nevada, Las Vegas, ou_persistent22              
5University of Amsterdam, Amsterdam, Netherlands, ou_persistent22              
6University of California, San Diego, ou_persistent22              
7Humboldt University , Berlin, Germany, ou_persistent22              
8Harvard University, ou_persistent22              
9Department of Music, Max Planck Institute for Empirical Aesthetics, Max Planck Society, ou_2421696              
10University of Montreal, Montreal, Canada, ou_persistent22              
11Brown University, ou_persistent22              
12Vrije Universiteit Brussel, Brussels, Belgium, ou_persistent22              
13Comparative Bioacoustics, MPI for Psycholinguistics, Max Planck Society, ou_3217299              
14Keio University, Fujisawa, Japan, ou_persistent22              
15Western Sydney University, Sydney, Australia, ou_persistent22              
16McMaster University , Hamilton, Canada, ou_persistent22              
17University of Toronto, Toronto, Canada, ou_persistent22              
18Yale University, ou_persistent22              

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Schlagwörter: cross-cultural, music, psychology, ethnomusicology, methods
 Zusammenfassung: Many foundational questions in the psychology of music require cross-cultural approaches, yet the vast majority of work in the field to date has been conducted with Western participants and Western music. For cross-cultural research to thrive, it will require collaboration between people from different disciplinary backgrounds, as well as strategies for overcoming differences in assumptions, methods, and terminology. This position paper surveys the current state of the field and offers a number of concrete recommendations focused on issues involving ethics, empirical methods, and definitions of “music” and “culture.”

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Sprache(n): eng - English
 Datum: 2019-06-102019-10-152020-02-192020-02-03
 Publikationsstatus: Erschienen
 Seiten: -
 Ort, Verlag, Ausgabe: -
 Inhaltsverzeichnis: -
 Art der Begutachtung: Expertenbegutachtung
 Identifikatoren: DOI: 10.1525/mp.2020.37.3.185
 Art des Abschluß: -

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Titel: Music Perception
Genre der Quelle: Zeitschrift
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Ort, Verlag, Ausgabe: Berkeley, CA : University of California Press
Seiten: - Band / Heft: 37 (3) Artikelnummer: - Start- / Endseite: 185 - 195 Identifikator: ISSN: 0730-7829
CoNE: https://pure.mpg.de/cone/journals/resource/954925533029