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  Perceptual fusion of musical notes by native Amazonians suggests universal representations of musical intervals

McPherson, M. J., Dolan, S. E., Durango, A., Ossandon, T., Valdés, J., Undurraga, E. A., et al. (2020). Perceptual fusion of musical notes by native Amazonians suggests universal representations of musical intervals. Nature Communications, 11: 2786. doi:10.1038/s41467-020-16448-6.

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This article is licensed under a Creative Commons Attribution 4.0 International License, which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license, and indicate if changes were made. The images or other third party material in this article are included in the article’s Creative Commons license, unless indicated otherwise in a credit line to the material. If material is not included in the article’s Creative Commons license and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder.

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 Creators:
McPherson, Malinda J.1, 2, 3, Author
Dolan, Sophia E.4, Author
Durango, Alex1, 3, Author
Ossandon, Tomas5, 6, Author
Valdés, Joaquín5, Author
Undurraga, Eduardo A.7, 8, Author
Jacoby, Nori9, Author           
Godoy, Ricardo A.10, Author
McDermott, Josh H.1, 2, 3, 11, Author
Affiliations:
1Department of Brain and Cognitive Sciences, MIT, Cambridge, MA 02139, USA, ou_persistent22              
2Program in Speech and Hearing Biosciences and Technology, Harvard University, Boston, MA 02115, USA, ou_persistent22              
3McGovern Institute for Brain Research, MIT, Cambridge, MA 02139, USA, ou_persistent22              
4Wellesley College, Wellesley, MA 02481,USA, ou_persistent22              
5Department of Psychiatry, School of Medicine, Pontificia Universidad Católica de Chile, Santiago, Chile, ou_persistent22              
6Institute for Biological and Medical Engineering, Schools of Engineering, Medicine and Biological Sciences, Pontificia Universidad Católica de Chile, Santiago, Chile, ou_persistent22              
7Escuela de Gobierno, Pontificia Universidad Católica de Chile, Santiago, Chile, ou_persistent22              
8Millennium Nucleus for the Study of the Life Course and Vulnerability (MLIV), Santiago, Chile, ou_persistent22              
9Research Group Computational Auditory Perception, Max Planck Institute for Empirical Aesthetics, Max Planck Society, ou_3024247              
10Heller School for Social Policy and Management, Brandeis University, Waltham, MA 02453, USA, ou_persistent22              
11Center for Brains, Minds and Machines, MIT, Cambridge, MA 02139, USA, ou_persistent22              

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Free keywords: Auditory system Human behaviour
 Abstract: Music perception is plausibly constrained by universal perceptual mechanisms adapted to natural sounds. Such constraints could arise from our dependence on harmonic frequency spectra for segregating concurrent sounds, but evidence has been circumstantial. We measured the extent to which concurrent musical notes are misperceived as a single sound, testing Westerners as well as native Amazonians with limited exposure to Western music. Both groups were more likely to mistake note combinations related by simple integer ratios as single sounds (‘fusion’). Thus, even with little exposure to Western harmony, acoustic constraints on sound segregation appear to induce perceptual structure on note combinations. However, fusion did not predict aesthetic judgments of intervals in Westerners, or in Amazonians, who were indifferent to consonance/dissonance. The results suggest universal perceptual mechanisms that could help explain cross-cultural regularities in musical systems, but indicate that these mechanisms interact with culture-specific influences to produce musical phenomena such as consonance.

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Language(s): eng - English
 Dates: 2019-04-122020-04-202020-06-03
 Publication Status: Published online
 Pages: -
 Publishing info: -
 Table of Contents: -
 Rev. Type: Peer
 Identifiers: DOI: 10.1038/s41467-020-16448-6
 Degree: -

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Title: Nature Communications
  Abbreviation : Nat. Commun.
Source Genre: Journal
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Publ. Info: London : Nature Publishing Group
Pages: - Volume / Issue: 11 Sequence Number: 2786 Start / End Page: - Identifier: ISSN: 2041-1723
CoNE: https://pure.mpg.de/cone/journals/resource/2041-1723