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  Nature versus art as elicitors of the sublime: A virtual reality study

Chirico, A., Clewis, R., Yaden, D. B., & Gaggioli, A. (2021). Nature versus art as elicitors of the sublime: A virtual reality study. PLoS One, 16(3): e0233628. doi:10.1371/journal.pone.0233628.

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lit-21-cle-01-nature.pdf (Verlagsversion), 625KB
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© 2021 Chirico et al. This is an open access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.

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 Urheber:
Chirico, Alice1, Autor
Clewis, Robert2, 3, Autor           
Yaden, David B.4, 5, Autor
Gaggioli, Andrea1, Autor
Affiliations:
1Department of Psychology, Università Cattolica del Sacro Cuore di Milano, Milan, Italy , ou_persistent22              
2Department of Language and Literature, Max Planck Institute for Empirical Aesthetics, Max Planck Society, ou_2421695              
3Department of Philosophy, Gwynedd Mercy University, Gwynedd Valley, PA, United States of America, ou_persistent22              
4Department of Psychology, University of Pennsylvania, Philadelphia, PA, United States of America, ou_persistent22              
5Department of Psychiatry and Behavioral Sciences, Johns Hopkins Medicine, Baltimore, Maryland, United States of America , ou_persistent22              

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 Zusammenfassung: The sublime–the mixed aesthetic experience of uplift and elevation in response to a powerful or vast object that otherwise is experienced as menacing–has nurtured philosophical discourse for centuries. One of the major philosophical issues concerns whether the sublime is best thought of as a subjective response or as a stimulus. Recently, psychology has conceived of the sublime as an emotion, often referred to as awe, arising from natural or artistic stimuli that are great, rare, and/or vast. However, it has not yet been empirically demonstrated whether two major elicitors of the sublime–nature and art–differ in inducing this state. In order to experimentally compare nature and art, we exposed 50 participants to sublimity-inducing content in two different formats (nature-based and art-based) using 360° videos. We compared Vincent Van Gogh’s The Starry Night with a photorealistic version of the actual place depicted in the painting, Saint-Rémy-de-Provence. We measured participants’ emotional responses before and after each exposure, as well as the sense of presence. The nature-based format induced higher intensity emotional responses than the art-based format. This study compares different sublime stimuli (nature vs. art) for eliciting the sublime.

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Sprache(n): eng - English
 Datum: 2019-11-072020-05-102021-03-22
 Publikationsstatus: Online veröffentlicht
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 Ort, Verlag, Ausgabe: -
 Inhaltsverzeichnis: -
 Art der Begutachtung: Expertenbegutachtung
 Identifikatoren: DOI: 10.1371/journal.pone.0233628
 Art des Abschluß: -

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Titel: PLoS One
Genre der Quelle: Zeitschrift
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Ort, Verlag, Ausgabe: San Francisco, CA : Public Library of Science
Seiten: - Band / Heft: 16 (3) Artikelnummer: e0233628 Start- / Endseite: - Identifikator: ISSN: 1932-6203
CoNE: https://pure.mpg.de/cone/journals/resource/1000000000277850