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  A social aesthetics and ethics of imperfection: Insights from Karnatak Music, Jazz and free improvisation

Pearson, L. (2022). A social aesthetics and ethics of imperfection: Insights from Karnatak Music, Jazz and free improvisation. In P. Cheyne (Ed.), Imperfectionist aesthetics in art and everyday life. New York: Routledge.

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 Creators:
Pearson, Lara1, Author                 
Affiliations:
1Department of Music, Max Planck Institute for Empirical Aesthetics, Max Planck Society, ou_2421696              

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 Abstract: How can we better understand the entanglement of aesthetics and ethics in cultural practices, and how does this entanglement intersect with current discourses on imperfection in art and everyday life? In this chapter, I consider how a socially situated concept of aesthetics can provide insight into the functional interdependence of aesthetics and ethics, and use this framework to examine different senses of imperfection discussed in cultural contexts. The themes are explored through contrasting musical practices, including Karnatak music as performed in South India, and jazz and free improvisation as practiced in Europe and North America.

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Language(s): eng - English
 Dates: 2022-12-30
 Publication Status: Published online
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Title: Imperfectionist aesthetics in art and everyday life
Source Genre: Book
 Creator(s):
Cheyne, Peter, Editor
Affiliations:
-
Publ. Info: New York : Routledge
Pages: - Volume / Issue: - Sequence Number: - Start / End Page: - Identifier: ISBN: 9781003251361
DOI: 10.4324/9781003251361