English
 
Help Privacy Policy Disclaimer
  Advanced SearchBrowse

Item

ITEM ACTIONSEXPORT
  Classical singers are also proficient in non-classical singing

Bruder, C., & Larrouy-Maestri, P. (2023). Classical singers are also proficient in non-classical singing. Frontiers in Psychology, 14: 1215370. doi:10.3389/fpsyg.2023.1215370.

Item is

Files

show Files
hide Files
:
fpsyg-14-1215370.pdf (Publisher version), 3MB
Name:
fpsyg-14-1215370.pdf
Description:
OA
OA-Status:
Gold
Visibility:
Public
MIME-Type / Checksum:
application/pdf / [MD5]
Technical Metadata:
Copyright Date:
2023
Copyright Info:
© 2023 Bruder and Larrouy-Maestri. This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) and the copyright owner(s) are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.

Locators

show

Creators

show
hide
 Creators:
Bruder, Camila1, Author           
Larrouy-Maestri, Pauline2, 3, Author                 
Affiliations:
1Department of Neuroscience, Max Planck Institute for Empirical Aesthetics, Max Planck Society, ou_2421697              
2Department of Music, Max Planck Institute for Empirical Aesthetics, Max Planck Society, ou_2421696              
3Center for Language, Music and Emotion, Department of Psychology, College of Arts and Science, New York University, United States, ou_persistent22              

Content

show
hide
Free keywords: Music, performance, Acoustics, Versatility, Singing styles
 Abstract: Classical singers train intensively for many years to achieve a high level of vocal control and specific sound characteristics. However, the actual span of singers' activities often includes venues other than opera halls and requires performing in styles outside their strict training (e.g., singing pop songs at weddings). We examine classical singers' ability to adjust their vocal productions to other styles, in relation with their formal training. Twenty-two highly trained female classical singers (aged from 22 to 45 years old; vocal training ranging from 4.5 to 27 years) performed six different melody excerpts a cappella in contrasting ways: as an opera aria, as a pop song and as a lullaby. All melodies were sung both with lyrics and with a /lu/ sound. All productions were acoustically analyzed in terms of seven common acoustic descriptors of voice/singing performances and perceptually evaluated by a total of 50 lay listeners (aged from 21 to 73 years old) who were asked to identify the intended singing style in a forced-choice lab experiment. Acoustic analyses of the 792 performances suggest distinct acoustic profiles, implying that singers were able to produce contrasting sounding performances. Furthermore, the high overall style recognition rate (78.5% Correct Responses, hence CR) confirmed singers' proficiency in performing in operatic style (86% CR) and their versatility when it comes to lullaby (80% CR) and pop performances (69% CR), albeit with occasional confusion between the latter two. Interestingly, different levels of competence among singers appeared, with versatility (as estimated based on correct recognition in pop/lullaby styles) ranging from 62% to 83% depending on the singer. Importantly, this variability was not linked to formal training per se. Our results indicate that classical singers are versatile, and prompt the need for further investigations to clarify the role of singers’ broader professional and personal experiences in the development of this valuable ability.

Details

show
hide
Language(s): eng - English
 Dates: 2023-05-012023-10-022023-10-25
 Publication Status: Published online
 Pages: -
 Publishing info: -
 Table of Contents: -
 Rev. Type: Peer
 Identifiers: DOI: 10.3389/fpsyg.2023.1215370
 Degree: -

Event

show

Legal Case

show

Project information

show

Source 1

show
hide
Title: Frontiers in Psychology
  Abbreviation : Front Psychol
Source Genre: Journal
 Creator(s):
Affiliations:
Publ. Info: Pully, Switzerland : Frontiers Research Foundation
Pages: - Volume / Issue: 14 Sequence Number: 1215370 Start / End Page: - Identifier: ISSN: 1664-1078
CoNE: https://pure.mpg.de/cone/journals/resource/1664-1078