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  Developing digital classical concert stream offerings: A typology of audience preferences

Egermann, H., Siebrasse, A., Weining, C., O’Neill, K., Tröndle, M., & Wald-Fuhrmann, M. (2024). Developing digital classical concert stream offerings: A typology of audience preferences. The Journal of Arts Management, Law, and Society, 54(3), 125-141. doi:10.1080/10632921.2024.2347397.

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 Creators:
Egermann, Hauke1, 2, Author
Siebrasse, Anne3, Author                 
Weining, Christian4, Author
O’Neill, Katherine2, Author
Tröndle, Martin4, Author
Wald-Fuhrmann, Melanie3, Author                 
Affiliations:
1University of Cologne, Germany , ou_persistent22              
2University of York, York, UK, ou_persistent22              
3Department of Music, Max Planck Institute for Empirical Aesthetics, Max Planck Society, ou_2421696              
4Zeppelin University, Friedrichshafen, Germany, ou_persistent22              

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Free keywords: digital concerts; musicstreaming; user typology;audience segmentation
 Abstract: To explore the issues around the production and design of digital concert streams, we conducted an online survey of n = 1,619 classical concert stream audience members (56,5% females, mean age 49 years). Participants were asked about their preference of various characteristics of digital concert productions, their use of and experience with various stream platforms and their socio-demographics. Considering various media user typologies previously identified in the literature, we were further interested in segmenting the audience via Latent Profile Analysis based on their preference for many different concert stream production features. We identified three distinct profiles, representing different target groups for digital concert stream productions: Digital Concert Purists (34.3% of participants), Undecided and Less Engaged Concert Users (15.2% of participants), and Digital Concert Enthusiasts (50.2% of participants). Different socio-demographic characteristics and music preferences were significantly, albeit only weakly associated with a person’s probability of being a member of a certain user group. These results imply that producers of classical concert streams should consider that there are different audience groups that should be addressed differently, especially with regards to conventional and more innovative concert features.

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Language(s): eng - English
 Dates: 2024-05-21
 Publication Status: Published online
 Pages: -
 Publishing info: -
 Table of Contents: -
 Rev. Type: Peer
 Identifiers: DOI: 10.1080/10632921.2024.2347397
 Degree: -

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Title: The Journal of Arts Management, Law, and Society
Source Genre: Journal
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Publ. Info: London : Routledge
Pages: - Volume / Issue: 54 (3) Sequence Number: - Start / End Page: 125 - 141 Identifier: ISSN: 1063-2921