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  Whitewashing the Nazi Past: Continuity and Transformation in Scientific Cinematography in Germany, 1934–56

Scholz, J. (2024). Whitewashing the Nazi Past: Continuity and Transformation in Scientific Cinematography in Germany, 1934–56. In M. Ivanova, & J. Scholz (Eds.), Science on Screen and Paper: Media Cultures and Knowledge Production in Cold War Europe (pp. 25-49). New York, NY: Berghahn Books. doi:10.1515/9781805396376-004.

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Item Permalink: https://hdl.handle.net/21.11116/0000-000F-CC07-4 Version Permalink: https://hdl.handle.net/21.11116/0000-0010-2A56-F
Genre: Book Chapter

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 Creators:
Scholz, Juliane1, Author           
Affiliations:
1Department Structural Changes in Systems of Knowledge, Max Planck Institute for the History of Science, Max Planck Society, ou_2266695              

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 MPIWG_PROJECTS: Cultural, Gender, and Political Contexts of Science
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Language(s): eng - English
 Dates: 2024-082024-08
 Publication Status: Issued
 Pages: -
 Publishing info: -
 Table of Contents: -
 Rev. Type: -
 Identifiers: DOI: 10.1515/9781805396376-004
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Title: Science on Screen and Paper: Media Cultures and Knowledge Production in Cold War Europe
Source Genre: Book
 Creator(s):
Ivanova, Mariana, Editor
Scholz, Juliane, Editor
Affiliations:
-
Publ. Info: New York, NY : Berghahn Books
Pages: - Volume / Issue: - Sequence Number: - Start / End Page: 25 - 49 Identifier: ISBN: 978-1-80539-635-2