English
 
Help Privacy Policy Disclaimer
  Advanced SearchBrowse

Item

ITEM ACTIONSEXPORT

Released

Poster

Explicit action perception shares resources with music syntax: A controlled behavioral study

MPS-Authors
/persons/resource/persons22876

Harding,  Eleanor
Minerva Research Group "Neurocognition of Rhythm in Communication", MPI for Human Cognitive and Brain Sciences, Max Planck Society;

/persons/resource/persons19958

Sammler,  Daniela
Department Neuropsychology, MPI for Human Cognitive and Brain Sciences, Max Planck Society;

/persons/resource/persons19643

Friederici,  Angela
Department Neuropsychology, MPI for Human Cognitive and Brain Sciences, Max Planck Society;

External Resource
No external resources are shared
Fulltext (restricted access)
There are currently no full texts shared for your IP range.
Fulltext (public)

Harding.pdf
(Postprint), 847KB

Supplementary Material (public)
There is no public supplementary material available
Citation

Harding, E., Sammler, D., D’Ausilio, A., Friederici, A., Fadiga, L., & Koelsch, S. (2011). Explicit action perception shares resources with music syntax: A controlled behavioral study. Poster presented at The Neurosciences and Music IV: Learning and Memory, Edinburgh, United Kingdom.


Cite as: https://hdl.handle.net/11858/00-001M-0000-0012-063F-9
Abstract
Given evidence that neural resources monitoring language syntax also underlie the perception of music syntax (Koelsch, 2005) and recently a proposed ‘syntax’ in sequential action (Fazio et al., 2009), a previous EEG study investigated whether neural resources may be shared between implicit perception of music and action (Sammler et al., 2010). Results yielded a syntactic-like ERP pattern elicited by the errors in sequential action, but no interaction of resources across the music and action domains. The present follow-up study sought behavioral signs of resource-overlap when perception is instead explicit. Five chords accompanied five reach-to-grasp images in a 2x2 factorial interference paradigm (target: regular/irregular cadence paired with correct/incorrect grasp). Results indeed revealed an interaction of resources which monitored the action and music sequences, manifested in task accuracy. A control experiment with accompanying pure tones instead of chords (standard/deviant final tone) did not, however, show the same interaction. Crucially, the null-result control study speaks to a neural resource involved in action perception that is shared only with syntactically organized sound, not a simple auditory distraction. This promising behavioral data warrants follow-up neuropsychological experimentation with explicit-task paradigms.