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The Tuma underworld of love: Erotic and other narrative songs of the Trobriand Islanders and their spirits of the dead

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Senft,  Gunter
Language and Cognition Department, MPI for Psycholinguistics, Max Planck Society;
Categories across Language and Cognition, MPI for Psycholinguistics, Max Planck Society;
Language documentation and data mining;

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9789027284693.pdf
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Citation

Senft, G. (2011). The Tuma underworld of love: Erotic and other narrative songs of the Trobriand Islanders and their spirits of the dead. Amsterdam: John Benjamins.


Cite as: https://hdl.handle.net/11858/00-001M-0000-0012-08F6-C
Abstract
The Trobriand Islanders' eschatological belief system explains what happens when someone dies. Bronislaw Malinowski described essentials of this eschatology in his articles "Baloma: the Spirits of the Dead in the Trobriand Islands" and "Myth in Primitive Psychology" There he also presented the Trobrianders' belief that a "baloma" can be reborn; he claimed that Trobrianders are unaware of the father's role as genitor. This volume presents a critical review of Malinowski's ethnography of Trobriand eschatology - finally settling the "virgin birth" controversy. It also documents the ritualized and highly poetic "wosi milamala" - the harvest festival songs. They are sung in an archaic variety of Kilivila called "biga baloma" - the baloma language. Malinowski briefly refers to these songs but does not mention that they codify many aspects of Trobriand eschatology. The songs are still sung at specific occasions; however, they are now moribund. With these songs Trobriand eschatology will vanish. The e-book is made available under a CC BY-NC-ND 4.0 license. http://creativecommons.org/licenses/by-nc-nd/4.0/