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Collage, Architectural Inscription, and the Aesthetics of Iconoclasm in Jacques Perret’s "Des fortifications et artifices" (1601)

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Ng,  Morgan
Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte, Max Planck Society;

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Ng, M. (2015). Collage, Architectural Inscription, and the Aesthetics of Iconoclasm in Jacques Perret’s "Des fortifications et artifices" (1601). Renaissance Collage: Towards a New History of Reading, Special issue in Journal of Medieval and Early Modern Studies, 45 (2015)(3), 573-594.


Cite as: https://hdl.handle.net/11858/00-001M-0000-0029-5EE5-C
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