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Caesare iubente?: Fürstliche Repertoirepolitik in der frühen Neuzeit zwischen Repräsentation, Identitätsbildung und Memoria

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Wald-Fuhrmann, M. (2013). Caesare iubente?: Fürstliche Repertoirepolitik in der frühen Neuzeit zwischen Repräsentation, Identitätsbildung und Memoria. In K. Pietschmann, & M. Wald-Fuhrmann (Eds.), Der Kanon der Musik: Theorie und Geschichte; Ein Handbuch (pp. 343-375). München: Edition Text + Kritik.


Cite as: https://hdl.handle.net/11858/00-001M-0000-002D-0228-C
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