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Der Interpret als Autor: Bemerkungen zum Phänomen multipler Autorschaft am Beispiel von Schönbergs Pierrot lunaire in der Inszenierung Christoph Marthalers

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Bork,  Camilla
External, Max Planck Institute for the History of Science, Max Planck Society;

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Bork, C. (2017). Der Interpret als Autor: Bemerkungen zum Phänomen multipler Autorschaft am Beispiel von Schönbergs Pierrot lunaire in der Inszenierung Christoph Marthalers. In H. Danuser, M. Kassel, & Paul Sacher Stiftung (Eds.), Wessen Klänge? Interpretation und Autorschaft in neuer Musik (pp. 69-90). Mainz: Schott.


Cite as: https://hdl.handle.net/21.11116/0000-0005-0BD5-F
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