Help Privacy Policy Disclaimer
  Advanced SearchBrowse




Book Chapter

Dance and the Imagination: Be a Butterfly!


Christensen,  Julia F.       
Department of Language and Literature, Max Planck Institute for Empirical Aesthetics, Max Planck Society;

External Resource
No external resources are shared
Fulltext (restricted access)
There are currently no full texts shared for your IP range.
Fulltext (public)
There are no public fulltexts stored in PuRe
Supplementary Material (public)
There is no public supplementary material available

Christensen, J. F., & Borhani, K. (2020). Dance and the Imagination: Be a Butterfly! In A. Abraham (Ed.), The Cambridge Handbook of the Imagination (pp. 620-634). Cambridge: Cambridge University Press.

Cite as: https://hdl.handle.net/21.11116/0000-0007-A88B-F
In dance, there are three components that stir our imagination: the movement of our body or the movement of others (kinesthetic imagery), the music that accompanies the movement (auditory imagery), and the emotions that arise from the physical sensation in our body while we dance (interoceptive imagery). All three types of imagery tap into different yet interrelated neural systems that are engaged both during dancing, as much as during the imagination of a dance. In this chapter, we will describe each of these imagery types in relation to dance. We also show evidence about how the combination of kinesthetic, auditory, and interoceptive imagery helps both amateur and professional dancers to rehearse their dance movements and find inspiration for new moves without actually moving their body at all.