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What makes babies musical? Conceptions of musicality in infants and toddlers

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Buren,  Verena
Department of Music, Max Planck Institute for Empirical Aesthetics, Max Planck Society;

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Roeske,  Tina C.
Department of Music, Max Planck Institute for Empirical Aesthetics, Max Planck Society;

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Degé,  Franziska
Department of Music, Max Planck Institute for Empirical Aesthetics, Max Planck Society;

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Citation

Buren, V., Müllensiefen, D., Roeske, T. C., & Degé, F. (2021). What makes babies musical? Conceptions of musicality in infants and toddlers. Frontiers in Psychology, 12: 736833. doi:10.3389/fpsyg.2021.736833.


Cite as: https://hdl.handle.net/21.11116/0000-0009-DDB1-6
Abstract
Despite major advances in research on musical ability in infants, relatively little attention has been paid to individual differences in general musicality in infants. A fundamental problem has been the lack of a clear definition of what constitutes “general musicality” or “musical ability” in infants and toddlers, resulting in a wide range of test procedures that rely on different models of musicality. However, musicality can be seen as a social construct that can take on different meanings across cultures, sub-groups, and individuals, and may be subject to change over time. Therefore, one way to get a clearer picture of infant musicality is to assess conceptions of musicality in the general population. Using this approach, we surveyed 174 German adults, asking about their view and conceptions regarding behaviors that characterize a musical child under 3 years. Based on previous studies on adult and child musicality, we designed a survey containing 41 statements describing musical behaviors in children. Participants were asked to rate how indicative these behaviors were of musicality in infants and toddlers. PCA analysis revealed 4 components of musical abilities and behaviors in under-3-year-olds: Musical Communication, Enthusiasm and Motivation, Adaptive Expressiveness, and Musical Abilities as traditionally defined. Professional background and musical expertise of the respondents did not significantly influence participants’ conceptions. Our results suggest that, in order to capture musicality in young children, a wider range of skills and observable behaviors should be taken into account than those assessed by traditional musical ability tests for young children.