日本語
 
Help Privacy Policy ポリシー/免責事項
  詳細検索ブラウズ

アイテム詳細


公開

論文集への寄稿

Fascist Heritage in Italy: From Iconoclasm to Critical Preservation

MPS-Authors
/persons/resource/persons128653

Belmonte,  C.       
Abteilung Weddigen, Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte, Max Planck Society;

External Resource
Fulltext (restricted access)
There are currently no full texts shared for your IP range.
フルテキスト (公開)
公開されているフルテキストはありません
付随資料 (公開)
There is no public supplementary material available
要旨
Many of the urban projects realized during the Fascist regime have remained part of the Italian landscape. Together with monuments and works of art, they are the surviving traces of Fascist imagery in contemporary Italy. Protected by preservation laws as part of the national cultural patrimony, these remnants have become the focus of a politically charged public debate.
In this book, scholars and curators from different disciplines critically examine the afterlives of Fascist-era artifacts. Spanning from the iconoclasm that followed the fall of the regime on July 25, 1943 to the present day, and moving from mural paintings and mosaics to buildings, decorative arts, monuments, and sculpture, the essays explore Italy’s transition from Fascism to the Republic and the dynamics of postwar de-Fascisization, revealing ruptures and continuities throughout the twentieth century. Applying the notion of “difficult heritage” to the Italian context, the volume addresses issues of restoration, display, and critical preservation of artifacts in public and institutional spaces, drawing comparisons with practices in other countries including Germany and the United States.