English
 
Help Privacy Policy Disclaimer
  Advanced SearchBrowse

Item

ITEM ACTIONSEXPORT

Released

Journal Article

The structure of musical dislikes (Advance online publication)

MPS-Authors
/persons/resource/persons19677

Merrill,  Julia
Department of Music, Max Planck Institute for Empirical Aesthetics, Max Planck Society;
Institute of Music, University of Kassel;

/persons/resource/persons241822

Frieler,  Klaus       
Scientific Services, Max Planck Institute for Empirical Aesthetics, Max Planck Society;
Department of Music, Max Planck Institute for Empirical Aesthetics, Max Planck Society;

/persons/resource/persons239146

Ackermann,  Taren
Department of Music, Max Planck Institute for Empirical Aesthetics, Max Planck Society;

External Resource
No external resources are shared
Fulltext (restricted access)
There are currently no full texts shared for your IP range.
Fulltext (public)

mus-23-mer-01-structure.pdf
(Publisher version), 6MB

Supplementary Material (public)
There is no public supplementary material available
Citation

Merrill, J., Frieler, K., & Ackermann, T. (2023). The structure of musical dislikes (Advance online publication). Psychology of Aesthetics, Creativity, and the Arts. doi:10.1037/aca0000565.


Cite as: https://hdl.handle.net/21.11116/0000-000D-2D7A-9
Abstract
The current study explored the structure of rationales for musical dislikes. In an online survey, participants (N = 627) evaluated self-selected styles and artists in a slight and strong degree of dislike condition with respect to 41 reasons for musical dislikes distilled from a previous interview study. After constructing nine subscales of reasons, a latent profile analysis identified two profiles of explanatory strategies for disliked music. The highbrow profile included reasons such as the music being Too Simple, or Not Authentic, having No Impact on the listener, and a perceived Social Incongruence, and was mainly associated with a dislike of German schlager, traditional music, and pop. The lowbrow profile included reasons such as the music being Too Niche and Too Complex and was associated with a dislike of jazz, classical music, heavy metal, and techno. A correlational network revealed that Displeasure can occur in relation to Social Incongruence, or in relation to Too Niche music. No Impact occurs in response to music regarded as Too Simple or Not Authentic. A strong dislike is consistently characterized by higher Displeasure, while Social Incongruence and Not Authentic were reasons to strongly dislike artists from mainstream styles. Hence, investigating fundamental musical value judgments, the current study shows that musical dislikes are a complex, multidimensional component of musical taste. The results have implications for the psychology and sociology of music, widening our understanding of people's attitudes toward music and its role in everyday life.