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Abstract

This (found) poem in three acts creates a conversation between Stuart Hall and Danez Smith, situated in the larger context of the long struggle for Black livingness. First comes the warning, descriptions of the violent now; HERE. Act II is a re-reading or re-writing of the secret codes of slavery and anti-Black violence, a play and exchange between realities and imaginaries, the tensions in Black social life; WHERE. The closing act insists that we dream of something different, a nod to a life Stuart Hall tried to write into existence, a life that his work is still writing; SOMEWHERE. By putting Stuart Hall in posthumous conversation with Danez Smith, I perform the kind of imaginary geographic maneuvering that characterizes Hall’s study, expanding the transatlantic and cross-generational capacity of cultural studies. Such a study, in a world where the African diaspora has been made commodity, is critical to the making of a world where Black(s) live(s) (matter).