Collage, Architectural Inscription, and the Aesthetics of Iconoclasm in Jacques 
Perret’s "Des fortifications et artifices" (1601)

Ng, Morgan

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Collage, Architectural Inscription, and the Aesthetics of Iconoclasm in Jacques Perret’s "Des fortifications et artifices" (1601)

Ng, M. (2015). Collage, Architectural Inscription, and the Aesthetics of Iconoclasm in Jacques Perret’s "Des fortifications et artifices" (1601). Renaissance Collage: Towards a New History of Reading, Special issue in Journal of Medieval and Early Modern Studies, 45 (2015)(3), 573-594.

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Item Permalink: https://hdl.handle.net/11858/00-001M-0000-0029-5EE5-C Version Permalink: https://hdl.handle.net/11858/00-001M-0000-0029-7BC7-F

Genre: Journal Article

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Creators:
Ng, Morgan¹, Author

Affiliations:
1Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte, Max Planck Society, ou_1462638

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Dates: Date issued: 2015

Publication Status: Issued

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Title: Renaissance Collage: Towards a New History of Reading, Special issue in Journal of Medieval and Early Modern Studies

Source Genre: Journal

Creator(s):
Fleming, Juliet, Editor
Sherman, William H., Editor
Smyth, Adam, Editor

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-

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Pages: - Volume / Issue: 45 (2015) (3) Sequence Number: - Start / End Page: 573 - 594 Identifier: -