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  Large-scale iterated singing experiments reveal oral transmission mechanisms underlying music evolution

Anglada-Tort, M., Harrison, P. M., Lee, H., & Jacoby, N. (2023). Large-scale iterated singing experiments reveal oral transmission mechanisms underlying music evolution. Current Biology, 33(8), 1472-1486. doi:10.1016/j.cub.2023.02.070.

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 Urheber:
Anglada-Tort, Manuel1, 2, Autor
Harrison, Peter M.C.1, 3, Autor
Lee, Harin1, 4, Autor           
Jacoby, Nori1, Autor
Affiliations:
1Computational Auditory Perception Group, Max Planck Institute for Empirical Aesthetics, Frankfurt, Germany, ou_persistent22              
2Faculty of Music, University of Oxford, Unitd Kingdom, ou_persistent22              
3Faculty of Music, University of Cambridge, United Kingdom, ou_persistent22              
4International Max Planck Research School on Neuroscience of Communication: Function, Structure, and Plasticity, MPI for Human Cognitive and Brain Sciences, Max Planck Society, ou_2616696              

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Schlagwörter: Cultural evolution; Cultural transmission; Iterated learning; Melody; Music evolution; Online experiments; Oral transmission; Pitch perception; Singing; Social learning
 Zusammenfassung: Speech and song have been transmitted orally for countless human generations, changing over time under the influence of biological, cognitive, and cultural pressures. Cross-cultural regularities and diversities in human song are thought to emerge from this transmission process, but testing how underlying mechanisms contribute to musical structures remains a key challenge. Here, we introduce an automatic online pipeline that streamlines large-scale cultural transmission experiments using a sophisticated and naturalistic modality: singing. We quantify the evolution of 3,424 melodies orally transmitted across 1,797 participants in the United States and India. This approach produces a high-resolution characterization of how oral transmission shapes melody, revealing the emergence of structures that are consistent with widespread musical features observed cross-culturally (small pitch sets, small pitch intervals, and arch-shaped melodic contours). We show how the emergence of these structures is constrained by individual biases in our participants-vocal constraints, working memory, and cultural exposure-which determine the size, shape, and complexity of evolving melodies. However, their ultimate effect on population-level structures depends on social dynamics taking place during cultural transmission. When participants recursively imitate their own productions (individual transmission), musical structures evolve slowly and heterogeneously, reflecting idiosyncratic musical biases. When participants instead imitate others' productions (social transmission), melodies rapidly shift toward homogeneous structures, reflecting shared structural biases that may underpin cross-cultural variation. These results provide the first quantitative characterization of the rich collection of biases that oral transmission imposes on music evolution, giving us a new understanding of how human song structures emerge via cultural transmission.

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Sprache(n): eng - English
 Datum: 2022-12-242022-11-032023-02-232023-03-222023-04-24
 Publikationsstatus: Erschienen
 Seiten: -
 Ort, Verlag, Ausgabe: -
 Inhaltsverzeichnis: -
 Art der Begutachtung: -
 Identifikatoren: DOI: 10.1016/j.cub.2023.02.070
Anderer: epub 2023
PMID: 36958332
 Art des Abschluß: -

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Titel: Current Biology
  Kurztitel : Curr. Biol.
Genre der Quelle: Zeitschrift
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Ort, Verlag, Ausgabe: London, UK : Cell Press
Seiten: - Band / Heft: 33 (8) Artikelnummer: - Start- / Endseite: 1472 - 1486 Identifikator: ISSN: 0960-9822
CoNE: https://pure.mpg.de/cone/journals/resource/954925579107